Chinese Animination-Mr.NanGuo（Làn yú chōng shù）南郭先生2

melodically. The instrument was used, often in large numbers, in the court orchestras of ancient China (and also imported to Korea and Japan) but is


Chinese Papercutting Animation中国剪纸动画1，Papercutting is the art of cutting paper designs. The art has evolved uniquely all over the world to adopt to different cultural styles.The oldest surviving paper cut out is a symmetrical circle from the 6th century found in Xinjiang China. By the eighth or ninth century papercutting appeared in West Asia and in Turkey in the 16th century. Within a century, papercutting was being done in most of middle Europe.Chinese Paper Cutting 剪紙 was the first style developed in China, since Cai Lun invented paper in the region. There are a number of distinct uses for the paper cut outs in Chinese culture, almost all of which are for health, prosperity or decorative purposes. Where it is different compared to other cultural style is the extensive use of red. Also it has a heavy emphasis on single or a few Chinese characters often symbolizing with the Chinese Zodiac animals.2，The yu (竽; pinyin: yú) was a free reed wind instrument used in ancient China. It was similar to the sheng, with multiple bamboo pipes fixed in a wind chest which may have been made of bamboo, wood, or gourd. Each pipe contained a free reed, which was also made of bamboo. Whereas the sheng was used to provide harmony (in fourths and fifths), the yu was played melodically. The instrument was used, often in large numbers, in the court orchestras of ancient China (and also imported to Korea and Japan) but is no longer used.A third-century BC line drawing featuring a yu player (seated in the third row, on the left end of the mat) may be seen here.Although the yu is now obsolete, it is known to most Chinese speakers through the saying "Làn yú chōng shù" (滥竽充数), meaning "to fill a position without having the necessary qualifications." The saying is derived from the story of Nanguo, a man from southern China who joined the royal court orchestra of King Xuan (宣王), the ruler of the State of Qi (齊; the modern Shandong province of China) as a yu player. Although the man did not actually know how to play this instrument, he knew that the orchestra had no fewer than 300 yu players, so he felt secure that he could simply pretend to play, and thus collect a musician's salary. Upon the king's death, Nanguo was eventually found out as an imposter when the king's son Min (泯王), now king, asked the musicians to play individually rather than as a group. On the night before he was to play, Nanguo fled the palace, never to return. The yu is similar to the lusheng, a free reed mouth organ used by various ethnic groups in several provinces of southern China.